Thursday, 7 November 2013

The Guardians of the Merri


For those who know their ancient mythology, the fact that there is an environmental park called CERES should be of no surprise. As to whether the park was named after the Roman goddess of agriculture or merely an acronym of it’s full title, the Centre for Education and Research in Environmental Strategies, is a matter up for debate, but it does give the park a certain mystical air.

In 1974 however, CERES was nothing more than one point of an environmental Bermuda Triangle that was that short section of the Merri Creek. The bend of the creek on which CERES now sits was a four-hectare council tip; the opposite bank occupied by a large industrial estate with large stormwater drains pouring directly into the creek, and completing the triangle was an electrical terminal station not far to the south. The animals and native plants began to disappear, replaced with weeds and non-native pests able to withstand the harsher conditions. The brown colour of the creek’s water was as much a result of the creeks industrial history, as the clay-rich mud of the creek bed.

In 1981 a group of socially aware, like-minded individuals sought to change that. Securing the lease for the four-hectare site, they began moulding the neglected land into a place that the whole community could enjoy, and the following year CERES opened to the public for the first time.

The birth of the Sacred Kingfisher Festival, one of CERES most important festivals, is almost as mystical as the evolution of CERES itself; a single moment that instantly became of a part of the environmental park’s history and folklore. In 1994 a simple environmental education class was being run for children in one of CERES educational classrooms when an intruder burst in through the open door.  Not pausing to introduce itself, the intruder proceeded at the same pace until it smashed into the wall opposite and stunned, fell to the ground.

Far from an unwelcome guest, the intruder turned out to be none other than the rare sacred kingfisher, a bird that had been absent from its Merri Creek habitat for many years as a result of the damage human activities caused to the surrounding environment. For the volunteers at CERES, the return of this bird served as vindication for the hard work they had put in to rejuvenating the area, something that should be celebrated. The Return of the Sacred Kingfisher Festival was born.

My own somewhat rose-tinted memories tap into the mysticism of the Festival.  My primary school would arrange excursions to attend the festival, and with a sense of adventure we would walk along the Merri Creek (from which the school derived its name) to CERES. The entrance to the park from the creek side is obscured by large eucalypts, as if to protect it from prying eyes, and entrance can only be gained through two arches, one of wood and one constructed entirely of bicycle wheel rims, welded together, like something from Colin Thompson's The Paperbag Prince.  But once through the arches we emerged into another world and were confronted by a large figure, hooded, beaked and wearing large azure wings. The sacred kingfisher, in human form, and through music and dance would tell the kingfisher’s story.

For almost twenty years the Festival has been held at the same time and place, in a high-energy celebration of the kingfishers return.  Over the years the festival has evolved to incorporate music and arts and crafts to attract a larger crowd, but the importance of the environment, and environmental awareness has always been at the core of the festival. But after nearly two decades as a major event and attraction for CERES, this years Festival will be the last.

The decision to wind down the festival was not one the CERES took lightly. As Sieta Beckwith, CERES Communications and Venue Hire Manager, explains there were a range of contributing factors to the decision:

There is a distinct lack of arts funding due to both changes in government and lack of capacity to apply for these grants amongst current CERES staff. As an organisation we are in a period of consolidation and currently only have capacity to run one festival a year, the Autumn Harvest festival fits best the skill set of our current staff. Due to the high energy, cathartic and memorable Kingfisher Festivals of previous years and our current inability to deliver the same level of festival where people can understand the story and celebrate together, we would rather finish on a high and remember the return of the kingfisher in different ways.”

Ms Beckwith also highlighted that the natural attrition of a volunteer organisation played a part in the Festival’s demise. None of the volunteers who participated in the original celebrations remain at CERES, so the festival had lost its direct link with its past. The timing of the event, in late October, also put it in direct competition with other local events, which meant that none of these events could attract crowds as large as they could wish.

But the demise of the Kingfisher Festival in no way means that the importance of its message is lost. Rather than mourning the loss of the festival, the volunteers at CERES intend to deliver its message by integrating it into the diverse education programs offered at CERES. Stressing the importance of environmental awareness is an underlying motive of the programs run for school students. These programs often involve practical tasks such as students collecting water samples from the nearby Merri Creek to examine the water quality and the creatures that live in the creek.

The health of the Merri Creek is a concern not only for CERES but other environmental groups as well. Unlike CERES, which focuses on the improvements made in the health of the creek, the Friends of the Merri Creek are vocal in how much work still needs to be done. “The Merri Creek is still one of the dirtiest waterways in Melbourne,” says the volunteer organisation’s secretary Robert Redford, before simply adding that the creek’s water quality is “very bad.” The work that the Friends of the Merri Creek have done in clean-ups and re-vegetation (often in conjunction with CERES) is according to Mr Redfern a drop in the ocean compared to what needs to be done.

The health of the creek has become somewhat of personal crusade for Mr Redford. Separate from his commitments at Friends of the Merri Creek, he has built a photographic journal of evidence against the industrial estate opposite CERES. Over the years he has taken pictures of rubbish dumping, chemical spillages and soil erosion on the industrial estate, all of which he claims ends up in the nearby creek.  He has even sent this log of evidence to the Darebin City Council in an attempt to prompt the council into some sort of action against the owners of the estate, “if you want to keep it, you have to look after it,” he says.

Whether it was the soft diplomacy employed by CERES to spread the environmental message or the more direct action of Robert Redford, changes for the benefit of the area are occurring, albeit slowly. In April this year Darebin council voted unanimously in favour of a motion to re-zone the industrial estates opposite CERES which, pending the State government’s approval, would open the land up for residential development. But while at first glance this looks like a business decision, local Greens councillor Trent McCarthy said that the plan would also have a positive effect on the environment.

The Sacred Kingfisher
(Source: http://www.mdahlem.net)
The proposal also includes plans for a ten metre-wide strip of land on the estate that borders the Merri Creek to pass into the council’s hands for the preservation and protection of the creek, or as Cr McCarthy put to ‘reclaim the Merri Creek corridor for the community.” Not that they are incapable of doing it for themselves, evidenced by a long-running grassroots campaign against the redevelopment of the aforementioned terminal station, which may have implications not only for the local residents but also for the environment.

Much of this concern must be attributed to the work of CERES and the Kingfisher Festival in the promotion of environmental awareness through community engagement.  For without it would be hard to motivate people to see the environment as worthy of protection not only for their own benefit, but also as being worthy of protection in its own right.


While this year’s festival may have been the last and was a distinctly low-key affair, the legacy it leaves is cannot be understated. Many of the signs and buildings at CERES are adorned with the kingfisher, like an unofficial logo for the park. But more importantly the return of the kingfisher serves as a symbol; that with hard work and dedication to a cause, things that are miraculous, and almost magical, can happen.